The Hong Kong International Piano Competition 2016, Joy of Music Festival, Chopin, Music Festical, Piano, Guitar, Hong Kong, Classic Music The Hong Kong International Piano Competition 2016, Joy of Music Festival, Chopin, Music Festical, Piano, Guitar, Hong Kong, Classic Music The Hong Kong International Piano Competition 2016, Joy of Music Festival, Chopin, Music Festical, Piano, Guitar, Hong Kong, Classic Music
The Hong Kong International Piano Competition 2016, Joy of Music Festival, Chopin, Music Festical, Piano, Guitar, Hong Kong, Classic Music The Hong Kong International Piano Competition 2016, Joy of Music Festival, Chopin, Music Festical, Piano, Guitar, Hong Kong, Classic Music
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WE WOULD LIKE TO ESTABLISH A CHANEL OF COMMUNICATIONS BETWEEN THE OFFICE OF THE COMPETITION AND ALL OF THOSE INTERESTED IN FOLLOWING THE DEVELOPMENT OF THE ORGANIZATION OF THE 5TH HONG KONG INTERNATIONAL PIANO COMPETITION (WHETHER THEY ARE POTENTIAL APPLICANTS, APPLICANTS, CONTESTANTS OR SIMPLY FOLLOWERS OF OUR COMPETITION/FESTIVAL FROM WHICHEVER POINT OF INTEREST THEY MIGHT HAVE).

Piano music Music competition music festival
30th January 2019
We have just received the following enquiry from several potential applicants:
Q: I have an enquiry concerning the repertoire I will be proposing to play
if I manage to pass the previous stages of the competition and I reach the semi finals level.
I would like to know whether I could include some of the pieces I suggest to play in the quarter finals, as part of my repertoire for my semi finals.
A: As you know the semi finalists will each be giving a recital of a completely free repertoire, chosen from published, commercially available scores. The recital will be up to 105 minutes long to include an intermission of 15 minutes and the performance of two (up to 5 to 6 minutes long) compulsory pieces which have been commissioned from composers Chen Yi and Nimrod Borenstein.
We want the semifinalists to feel that they will be coming to Hong Kong to give a proper recital. The only difference is that, among the members of the audience, there is going to be the Panel of the Jury.
In principle, we do not have any objection if some of the pieces selected to be played by a semi finalist were already included in his/her programme for the quarter finals.
But, I would like you to just reflect on the following: we are going to encourage the members of the Jury to view the quarter finals video recording of each of the semi finalists, just before attending their semi finals performance, given that the members of the Jury will be asked to consider the overall performance of each one of the contestants whenever it comes to voting (giving a score).
Performing the same repertoire in both rounds will amount, in fact, to the contestant being competing with him/her self.
I hope my remarks will help you solve this issue.
I suggest that you think about it ... You do not need to send us the programme for the semi finals for quite a while yet, and, in any case, once the quarter finalists are announced, the contestants will be given time to introduce changes to the programme they will have sent along with their application.
   

 


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