Chopin, Joy of Music Festival, Music Festical, Piano, Guitar, Music Competition
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Chopin, Joy of Music Festival, Music Festical, Piano, Guitar, Music Competition
Chopin, Joy of Music Festival, Music Festical, Piano, Guitar, Music Competition

day 14 artist

 

Monday 14th October 2013
Hong Kong City Hall Concert Hall -  20:00

Following the development of artists, we will be inviting pianists from Hong Kong
to perform in an evening portraying the work of Prof. Eleanor Wong who, along
the years, has been responsible for shaping up so many wonderful pianists.
All this while saying Happy 60th Anniversary to Tom Lee Music.

Piano performances by:
Rachel CHEUNG, Colleen LEE, LI Zhong Xin and TSANG Hin Yat

PROGRAMME

1st Part
 
1. LI Zhong Xin
  Johann Sebastian Bach (1685 – 1750)
  French Suite No. 5, in G Major, BWV 816
   
  Frédéric Chopin (1810 – 1849)
  Impromptu No.1, in A flat, Op.29
     
     
2. TSANG Hin Yat
  Samuel Barber (1910 – 1981)
  Nocturne “Homage to John Field”, Op.33
     
  Robert Schumann (1810 – 1856)
  Humoresque in B flat Major, Op.20
   

INTERMISSION

2nd Part
 
3. Rachel CHEUNG
  Béla Bartók (1881 – 1945)
  Piano Sonata
    graphic Allegro moderato
    graphic Sostenuto e pesante
    graphic Allegro molto
 
  Leǒs Janáček (1854 – 1928)
  Piano Sonata 1.X. 1905 - “From the Street”
    A two-movement (originally three-movement) piano composition which Janáček composed in 1905.
   
1. Presentiment (Con moto)
ss 2. Death (Adagio)
   
   
4. Colleen LEE
  César Franck (1822 – 1890)
  Prelude chorale and Fugue
   

As the name implies, it comprises three movements: a prelude, a chorale and a fugue. The interconnectedness and thematic relationships (particularly the cyclic recall of the prelude and chorale in the fugue) make this an unorthodox example of double-function form.
This work is an example of Franck's distinctive use of the cyclic form.

   
  Nicolai Kapustin (1937)
  Variations, Op.41
   

 

 

黃懿倫教授多年來致力為香港培育出色的鋼琴家,為促進藝術發展,我們邀請到教授的學生為我們演出。
同時慶祝通利琴行六十周年紀念

player
張緯晴, 李嘉齡, 李仲欣及曾憲逸

 
1. 李仲欣
  巴赫 (1685 - 1750)
  G大調第五法國組曲,BWV 816
   
  蕭邦 (1810 - 1849)
  降A大調第一即興曲,作品29
     
     
2. 曾憲逸
  巴伯 (1910 - 1981)
  夜曲「向約翰‧菲爾德致敬」,作品33
     
  舒曼 (1810 - 1856)
  降B大調詼諧曲,作品20
   

 
 
3. 張緯晴
  巴托(1881 - 1945)
  鋼琴奏鳴曲
    graphic中庸的快板
    graphic保持和緩而沉重
    graphic極急速的快板
 
  切克(1854 - 1928)
  鋼琴奏鳴曲1.X. 1905 - 「來自那街道上」
    切克於1905年創作的雙樂章鋼琴曲(原為三樂章鋼琴曲)。
   
1. 不祥的預感(稍快)
  2. 死亡(慢板)
   
   
4. 李嘉齡
  法朗克(1822 - 1890)
  前奏曲,讚美詩與賦格曲
   

顧名思義,樂曲由前奏曲、讚美詩和賦格曲三段樂章組成。樂章之間的相聯性和主題關係(特別是賦格曲一再令人記起前奏曲和讚美詩的樂段),令此曲非正式地展現出「雙重作用結構」的特色。法朗克特愛採用「循環曲式」,這首作品正是當中一例。

   
  凱帕斯汀 (1937)
  變奏曲,作品41
   

 

 
 
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